The Week in Jazz is your roundup of new and noteworthy stories from the jazz…
Tag: Sara Serpa
If you’re looking for some great new music to discover this weekend, look no further…
A collection of mesmerizing solo harp improvisations; a late piano great’s interpretation of John Coltrane…
The Week in Jazz is your roundup of new and noteworthy stories from the jazz…
Disc One The Jazz Singers On her self-titled debut recording for the Whirlwind imprint, Samara…
Bessie Smith’s blues moan. Billie Holiday’s searing rendition of “Strange Fruit.” Abbey Lincoln’s riveting directness…
Looking for some Monday motivation? We’ve got you covered. From a reflection on colonialism to…
Saxophonist Kamasi Washington was chosen to score the hit Netflix documentary Becoming, chronicling the life…
Portuguese vocalist Sara Serpa’s stunning new album, Recognition: Music for a Silent Film (Biophilia Records),…
Her parents moved to Portugal to attend university, and they subsequently rallied on behalf of colonial independence and took part in protests against the fascist regime, which fell in 1975, four years prior to Serpa’s birth. As she grew, she discovered this dark chapter in the country’s past, but not via institutional sources. “History was kind of whitewashed the way I learned it in school,” she recalls. “There was hardly any mention of the slave trade and the colonial period and what really happened there.”
Fortunately, Serpa found out while researching the Drawing Center project that she had access to original material about Angola — not just family photo albums, but also silent Super 8 footage shot by her grandfather that even her mother had never seen. “They were a huge revelation, a door to a reality,” she notes. “They weren’t family-focused films. He filmed everything around him, outside his house. It was really a window onto that period.”
With the aid of director Bruno Soares, Serpa created the film version of Recognition, in which these images are juxtaposed with text by Amílcar Cabral, an anti-colonial leader and poet. For the score, meanwhile, she collaborated with three gifted accompanists: harpist Zeena Parkins, pianist David Virelles and saxophonist Mark Turner. On moving and dynamic tracks such as “Free Labour,” Serpa employs her trademark wordless vocals to plumb emotional truths. But she uses a Cabral speech to devastating effect on “Unity and Struggle” and couples a disturbing narrative with gentle sonics throughout “Beautiful Garden.”
“I wanted the music to have reflective characteristics, to provide a place where the listener is in a relaxed state — not being confronted or feeling attacked,” she explains. “The music might sound peaceful or nice, but the subject is very dark and heavy. It is a reality that has been hidden from a certain population for a long time.” —Michael Roberts
https://youtu.be/MFd_CzyEI9s
Featured photo by Heather Sten.