Pat Metheny’s music has always contained a certain spaciousness, perhaps hinting at his Midwestern origins. Same goes for his melodies and solos, which are frequently given to soaring over rhythm-section grooves that are sometimes tranquil, sometimes turbulent. All of those elements are present on “America Undefined,” the 13-minute opening track on Metheny’s latest release, From
You’ve reached a Premium article. To continue reading, please login or start a 3-MONTH TRIAL SUBSCRIPTION for just 99 cents/month. You’ll receive unlimited digital access plus a complimentary issue of our award-winning print magazine.
It’s an audacious start to a collection of compositions that benefit from arrangements by Alan Broadbent and Gil Goldstein alternately. Metheny and his collaborators deploy a wide range of textures and colors. “You Are” opens with crystalline piano, which is joined by chiming guitar, the hypnotic rhythms building to great intensity before ending as it began. Oh’s bluesy upright-bass figure lays the groundwork for “Same River,” which features an extended synth-guitar outing. The jaunty “Pathmaker” offers some creative bars-trading with Sanchez. And the pretty “The Past in Us” has Metheny’s nylon-string guitar sparring with the soulful ministrations of harmonica virtuoso Gregoire Maret. The disc closes with the gorgeous ballad “Love May Take a While.”
Metheny nods to our current political maelstrom with “From This Place,” its melody written on the heels of the 2016 U.S. presidential election, with Meshell Ndegeocello singing lyrics written by her partner, Alison Riley. As the guitarist suggests in the liner notes, music can transcend even the most troubling circumstances. I’d contend that Metheny’s work has just that power. — Philip Booth https://www.youtube.com/watch?v=lkuzaxWib2Q