Review: Myra Melford’s Snowy Egret, ‘The Other Side of Air’ (Firehouse 12)


With a career that was essentially born in New York City’s Knitting Factory scene of the late ’80s and early ’90s, pianist and composer Myra Melford has long stood outside the jazz mainstream. Since then, her broad-ranging interests (including a close study of Indian music), virtuoso piano chops and collaborative insight have made her a...

This content is for members only.
Join Now
Already a member? Log in here
Join Our Newsletter
Join thousands of other jazz enthusiasts and get new music, artists, album, events and more delivered to your inbox.

The Authoritative Voice in Jazz