Some recordings jolt listeners with new ideas that take the music in previously unimagined directions. Others combine familiar sounds in a manner that still manages to feel fresh thanks to the players’ skills and ability to bring out the best in each other. Movement, the new album by Kobie Watkins’ five-piece Grouptet, falls into the
You’ve reached a Premium article. To continue reading, please login or start a 3-MONTH TRIAL SUBSCRIPTION for just 99 cents/month. You’ll receive unlimited digital access plus a complimentary issue of our award-winning print magazine.
On “Catch This,” for example, Latin rhythms underpin a punchy yet swinging brass arrangement that builds to an ecstatic peak. It’s the kind of wild conclusion plenty of combos would use as an exclamation point at the end of an album — but it’s Movement’s first track. The excitement continues on “The City,” blessed by an especially ripe Ryan Nielsen solo and impossibly tight interplay between Watkins and Miller. “Falling Upward” is edgier, with inspired chording by the track’s composer, Justin Nielsen. And a cover of Dizzy Gillespie’s “Manteca” boasts such an infectious groove that any fragile object within swiveling distance of your hips is in danger.
Other offerings are more contemplative, including “Six Moods,” which showcases each member yet still feels like a single entity rather than a loosely linked collection of individual parts. Likewise, the mid-tempo burner “Inner Motion” finds the instrumentalists stretching out without losing any of their combined power.
Throughout, the tunes remain solidly within the tradition rather than attempting to burst through it. But the Grouptet’s strengths prove that the tried and true needn’t to be staid and dull.— Michael Roberts
[embed]https://www.youtube.com/watch?v=APzRoWWRyBg[/embed]
Feature photo by André Gualdi