Jerome Sabbagh and Greg Tuohey – No Filter (Sunnyside)

Tape splicing and backup reels have been a part of the recording process since the 1950s, but recording without edits remains the artistic standard in jazz. A live in-the-studio recording such as No Filter — using difficult melodic and harmonic material to inspire heated improvisation — carries inherent risks into performance, the types of risks

You’ve reached a Premium article. To continue reading, please login or start a 3-MONTH TRIAL SUBSCRIPTION for just 99 cents/month. You’ll receive unlimited digital access plus a complimentary issue of our award-winning print magazine.

Join Our Email Newsletter

Join thousands of other jazz enthusiasts and get new music, artists, albums, events and more delivered to your inbox.

The Authoritative Voice in Jazz



Miles Davis Special Issue

By submitting, you give JAZZIZ Magazine permission to keep you updated via email or customized online advertising. You can opt out at any time. Check our privacy policy for more details.

Enter your email below for a free MEETING MILES: FACE TO FACE WITH THE PRINCE OF DARKNESS Special Issue!