Review: Jerome Sabbagh and Greg Tuohey, ‘No Filter’ (Sunnyside)


Tape splicing and backup reels have been a part of the recording process since the 1950s, but recording without edits remains the artistic standard in jazz. A live in-the-studio recording such as No Filter — using difficult melodic and harmonic material to inspire heated improvisation — carries inherent risks into performance, the types of risks...

This content is for members only.
Login Join Now
Join Our Newsletter
Join thousands of other jazz enthusiasts and get new music, artists, album, events and more delivered to your inbox.

The Authoritative Voice in Jazz