Jeanfrançois Prins, ‘Blue Note Mode’ (GAM) | Review


By Josef Woodard In some ways, jazz musicians with a deeper and more obsessive appreciation of jazz history and lore arrive on American shores from afar, armed with an outsider’s yearning and research. For Belgian guitarist Jeanfrançois Prins, who spent time living, playing and teaching in both New York City and Berlin, the sense of...

This content is for members only.
Login Join Now
Join Our Newsletter
Join thousands of other jazz enthusiasts and get new music, artists, album, events and more delivered to your inbox.

The Authoritative Voice in Jazz