In Like a Lion: Tomas Fujiwara Doubles Down on Improvisation, Intensity and Immediacy

Tomas Fujiwara’s scintillating new record, March (Firehouse 12), is in part a reflection of the effects of time. For starters, there’s how the gap since the first record with his band Triple Double affected the drummer’s development as a leader and composer. While the group’s 2017 debut was a strong document of six highly creative

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